In Conversation with Peter Bogdanovich

Writer/Director/Producer Peter Bogdanovich

The following conversation with Peter Bogdanovich was conducted in April 2010 just prior to the first official TCM Classic Film Festival in which the director co-hosted a screening with Vanity Fair writer David Kamp of Orson Welles’ The Magnificent Ambersons. Bogdanovich, of course, was a close friend of Welles’ and is the creator of that indispensible interview collection, This is Orson Welles. Among other topics discussed are such films as Targets, What’s Up, Doc?, Paper Moon, Saint Jack, unproduced Welles’ projects like Heart of Darkness and Welles’s obsession with fake noses. This is a revised version of the original interview that first appeared on Movie Morlocks, TCM’s official blog.   Continue reading

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Confessions of a Girl Watcher

Barry Evans is at the center of things in Here We Go Round the Mulberry Bush (1967)

Barry Evans is at the center of things in Here We Go Round the Mulberry Bush (1967)

Among the many films to emerge from the “Swinging London” film phenomenon of the sixties, Here We Go Round the Mulberry Bush (1967) followed in the wake of such popular titles as Georgy Girl (1966), Morgan! (1966) and Alfie (all 1966) but is not as well known to American audiences. Based on Hunter Davies’ first novel, the film is a giddy, high-spirited time capsule of its era with day-glo colors, groovy fashions, British slang and playful cinematic techniques influenced by Richard Lester’s Beatles films such as speeded up motion, still frames, and the breaking of the fourth wall; the protagonist, Jamie McGregor (Barry Evans), constantly addresses the viewer in the manner of a confessional.   Continue reading