Gojko Mitic, the All-Purpose Native American from Yugoslavia

Gojko Mitic plays the title role in the East German western, Chingachgook, the Great Snake (Chingachgook, die grosse Schlange, 1967), directed by Richard Groschopp.

Westerns not made in the U.S. have always carried a patina of the exotic for fans of the genre. There have been the countless spaghetti westerns from Italy and Spain, Australia has turned out several distinctive efforts (The Man from Snowy River, Mad Dog Morgan, The Proposition) and even Japan has their own brand of western as represented by samurai films like The Seven Samurai and Yojimbo. But have you ever seen a western from East Germany during the 1960s when their film industry was under the control of the Socialist government? If not, Westerns with a Twist, a trilogy from DEFA (aka Deutsche Film-Aktiengesellschaft) starring Gojko Mitic is a great place to begin. This trio of “red westerns” includes The Sons of Great Bear (1966), Chingachgook, the Great Snake (1967) and Apaches (1973).   Continue reading

Strange Brew

The sword and scandal genre rarely got much respect in the U.S. during its heyday and it was easy to see why. Aimed largely at indiscriminate male viewers, these action-adventure sagas were usually imported from Italy, poorly dubbed in English and featured some of the world’s most famous bodybuilders of that era (none of whom were known for their acting prowess) along with exotic female sex sirens. The plots were usually dumbed-down bastardizations of Greek and Roman myths or history and the production values were variable, mixing picturesque Italian locations with laughable special effects or papier-mache props. Due to their derivative nature and lowbrow appeal, few of these faux epics ever achieved classic movie status but occasionally one would stand out for its sheer weirdness alone like The Giant of Metropolis (1961), which is set in the year 20,000 A.C. and often looks like a Flash Gordon-inspired sci-fi adventure. Continue reading

Vintage Peplum

The French film poster for My Son, the Hero (1962)

Remember the Italian sword and sandal films (known as peplum in their native land) that enjoyed a brief period of popularity in the U.S. from around 1958 to 1964? There was never any question about the appeal. What’s not to like about muscle-bound super heroes, beautiful, curvaceous slave girls, princesses and evil queens, despicable, hiss-worthy villains, amazing feats of strength, epic battle scenes, exotic dance sequences, bizarre tortures and stylized sadism, picturesque locations, atmospheric set design, and disaster film calamities (earthquakes, volcanoes, storms)?   Continue reading