In Conversation with Peter Bogdanovich

Writer/Director/Producer Peter Bogdanovich

The following conversation with Peter Bogdanovich was conducted in April 2010 just prior to the first official TCM Classic Film Festival in which the director co-hosted a screening with Vanity Fair writer David Kamp of Orson Welles’ The Magnificent Ambersons. Bogdanovich, of course, was a close friend of Welles’ and is the creator of that indispensible interview collection, This is Orson Welles. Among other topics discussed are such films as Targets, What’s Up, Doc?, Paper Moon, Saint Jack, unproduced Welles’ projects like Heart of Darkness and Welles’s obsession with fake noses. This is a revised version of the original interview that first appeared on Movie Morlocks, TCM’s official blog.   Continue reading

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Picaresque Americana

Everyone involved creatively with the making of Arthur Penn’s landmark of sixties cinema, Bonnie and Clyde (1967), benefited greatly from its astounding international success. Certainly the director and all the key cast members saw an immediate acceleration in their careers and it enabled screenwriter Robert Benton to make his directorial debut in 1972 with Bad Company, working from a script he penned with his Bonnie and Clyde writing partner, David Newman. Structured in a manner similar to the Arthur Penn film, it was a picaresque and episodic road movie, set during the Civil War, with an authentic sense of period detail and moments of biting wit and sudden, shocking violence that gave a contemporary edge to the Americana on display.   Continue reading