The rational versus the irrational always creates compelling conflicts in the best kind of fantasy/horror films where scientists and/or investigators are faced with trying to understand or explain supernatural events or mysteries of the occult. A denial of the paranormal fueled the chilling storyline of Jacques Tourneur’s Curse of the Demon (1957, released in the U.K. as Night of the Demon). A similar tone of skepticism is under attack in The Last Wave (1977), one of the rare Australian films to delve into Aboriginal mythology and superstitions but also one that addresses the environment on an apocalyptic level.Continue reading
RKO may have been seen as low on the totem pole in the Hollywood hierarchy compared to MGM, Warner Bros. and other larger studios but their importance in film history is assured by a remarkable roster of talent that at one time included such directors as Orson Welles, Alfred Hitchcock and John Ford. One of RKO’s most famous contractees was Jacques Tourneur who secured his reputation in the forties with Cat People (1942), I Walked With a Zombie (1943), The Leopard Man (1943) and Out of the Past (1947).
Tourneur’s work in the early to mid-fifties might not have matched his glory years at RKO but he still managed to turn out occasional gems like the underrated Joel McCrea western, Stars in My Crown (1950), a late period noir (Nightfall, 1956) and a cult horror classic, Curse of the Demon (1958). Even the less distinguished films from his final years are worth a look and Timbuktu (1958) is a genuine curiosity, flaws and all. Continue reading