Pere Ubu Meets X: The Man with the X-Ray Eyes

I thought it was some kind of avant-garde prank when I first saw a poster advertising a special showing of Roger Corman’s X, The Man with the X-Ray Eyes (1963) accompanied by the legendary Cleveland, Ohio band Pere Ubu performing a live score. It sounded too good to be true but how would it work?  Would the audio be turned off so that the movie would essentially be treated as a silent film with a new score? Would the band perform a spontaneous live remix of Les Baxter’s score while riding the volume levels? Would the film’s dialogue be heard at all in this presentation? All of my questions were answered on Tuesday, March 25th, 2008 at Atlanta’s Plaza Theater when I attended the Pere Ubu show.

*This is an archival reprint of an article that originally appeared on Movie Morlocks, the official blog of Turner Classic Movies (the blog was discontinued in the Fall of 2018 and is no longer available).

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The Lure of the Big Apple

New York City has served as the background and, in some cases, the main star in dozens of films from King Kong (1933) to The Naked City (1948) to Manhattan (1979), and usually it is depicted as a vibrant melting pot of humanity where opportunity and chance encounters can change the course of one’s life. It can also be a place of desperation, danger and soul-crushing despair and The Rat Race (1960), based on Garson Kanin’s play and adapted by him for the screen, falls into this category. Along with such films as Midnight Cowboy (1969), Death Wish (1974) and Taxi Driver (1976), this tale of two innocents being beaten down by the realities of big city life comes across like a hate letter to the Big Apple, whether that was Kanin’s intentions or not.

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