The Many Noses of Orson Welles

triple Orson Welles shot“When you are down and out something always turns up – and it is usually the noses of your friends.” – Orson Welles

When you’re a film actor, it’s easy to understand how one can obsess over some less than perfect facial or physical feature that is going to be magnified by the camera on the big screen. But in most cases these fears are usually unfounded and not even something the average moviegoer would notice or care about. Claudette Colbert and Jean Arthur both insisted on being shot from the left side for profiles; Colbert called the right side of her face “the dark side of the moon.” Fred Astaire used movement and positioning to distract people from what he felt were his unusually large hands and Bing Crosby dealt with his increasing baldness by wearing hats at all times (he refused to wear toupees). Orson Welles’ insecurity over the size of his nose, however, is probably the most baffling of the actor hangups I’ve read about.

*This is a slightly revised version of my post that originally appeared on TCM’s Movie Morlocks blog     Continue reading

A Train Wreck Called Poor Pretty Eddie

Poor Pretty EddieSometimes a movie goes so horribly wrong in so many ways that it ends up working on an entirely different level in spite of itself. Such is the case with Poor Pretty Eddie (1975), which is also known as Black Vengeance, Heartbreak Motel and Redneck County Rape, clear indications that this is a movie with a confusing production and distribution history. A sleazy exploitation thriller with artistic pretensions, the film manages to be offensive, crude and inept in equal measure while still succeeding as a compulsive viewing experience for connoisseurs of fringe cinema who think they’ve seen everything.   Continue reading

On The Road to Extinction

The End of August at the Hotel OzoneEver since I first saw a description for The End of August at the Hotel Ozone in the 16mm rental catalog from New Line Films I’ve wanted to see it. But this 1967 post-apocalyptic drama from Czechoslovakia, directed by Jan Schmidt, has remained an elusive feature for many years. New Line, which was started by Robert Shaye as a film distribution company in 1967, catered to art houses and colleges and universities with its eclectic mix of independent work (Eagle Pennell, Mark Rappaport, Jack Hazan), international fare (Werner Herzog, Lina Wertmuller, Claude Chabrol) and midnight movies (The Hills Have Eyes, Pink Flamingos). Eventually the company moved into producing films as well (such as the popular Nightmare on Elm Street franchise) but in 1994 New Line was acquired by the Turner Broadcasting System, which was then acquired by Time Warner in 1996 and later merged into Warner Bros. in 2008. Continue reading

The Lost Films of Audio-Brandon

The Sleeping Car MurdersBack in the days before the VHS home video market exploded and Blockbuster became the obiquitous rental store, the 16mm film library was still a viable business in the non-theatrical college and educational markets. The decline would begin in the early eighties and by the end of the decade most 16mm distributors would be out of business. But during the peak years, this film format was affordable and easily accessible to all types of organizations (churches, schools, businesses and prisons) and also individuals who ran private film societies.   Continue reading

Just for Fun

creature_with_the_atom_brain_poster_03Movie titles can sometimes be deceptive but you know exactly what you’re in for with the aptly named Creature with the Atom Brain (1955). A superior B-horror film with sci-fi elements and a crime syndicate subplot, this 1955 Sam Katzman production gets right down to business before the opening credits even begin with the sound of a beating heart growing louder and an ominous looking figure lurching toward us from out of the dark.    Continue reading

The White House Super-8 Posse

Our NixonAnother highlight among the documentary entries at the 2013 VFF (Virginia Film Festival) was Our Nixon by Penny Lane, which takes an unexpected approach to a topic which has been the covered exhaustively in books, articles and films – the presidency of Richard Nixon. The hook here is that Nixon’s core staff members – H.R. Haldeman (Chief of Staff), John Ehrlichman (Domestic Affairs Advisor) and Dwight Chapin (Special Assistant to Nixon) were all home movie enthusiasts and took lots of candid super-8 footage (over 500 reels) during their White House tenure. Lane was able to get access to their films and uses them as a way to re-examine this turbulent time in American politics.    Continue reading

A Khmer Rouge Nightmare in Clay

The Missing PictureOne of the most unusual documentaries screened at the 2013 VFF (Virginia Film Festival) was The Missing Picture by filmmaker Rithy Panh. A personal account of Panh’s childhood in Cambodia during the years of the Khmer Rouge regime, the film follows Panh’s memories of his family and what happened to them when Pol Pot’s forces invaded the cities and deported the inhabitants to internment camps where they were “re-educated” under the most harsh living conditions imaginable. Continue reading

Pitch Black Noir

A Single Shot posterA contemporary film noir set in an economically depressed backwoods town, A Single Shot comes with impressive credentials – cinematography by Eduard Grau (A Single Man, Buried), production design by David Brisbin (Drugstore Cowboy, My Own Private Idaho) and a superior ensemble cast of Sam Rockwell, William H. Macy, Jeffrey Wright, Ted Levine, Kelly Reilly and Jason Isaacs. Nothing in the brief filmography of director David M. Rosenthal, however, suggested that he would follow such audience-friendly entertainments as See This Movie, Falling Up and Janie Jones with something so relentlessly dark. Based on the novel by Matthew F. Jones (who also adapted the screenplay), the film plunges you into a horrific situation from the start and then follows the terrible repercussions that fan out from there.     Continue reading

Brain Candy for the Cinephile

The Pervert's Guide to IdeologyFollowing the same format and stylized approach they used in The Pervert’s Guide to Cinema, director Sophie Fiennes (sister of Ralph and Joseph Fiennes) and theorist/cultural critic Slovoj Zizek are back with another unorthodox but thoroughly entertaining film critique entitled The Pervert’s Guide to Ideology. This time, using a wealth of superbly chosen film clips (The Fall of Berlin,The Searchers, Cabaret, etc.), Zizek demonstrates how the film medium influences the way we think and feel through imagery that reinforces social behavior and conditioning.  Continue reading

Gloria, G-L-O-R-I-A

Paulina Garcia dancing to her theme song in Gloria (2013)

Paulina Garcia dancing to her theme song in Gloria (2013)

This woman is being transported to someplace we can’t see by “Gloria,” the original Italian version of the pop tune by Umberto Tozzi and Giancarlo Bigazzi. That song became a Top Forty hit in the US by Laura Brannigan in 1982 and is an appropriate theme song for the heroine of a new film by Sebastian Lelio (El ano del tigre, 2011) with the same name. And this film is proof that the Chilean film industry is still enjoying a renaissance; Gloria played to a full house at the recent Virginia Film Festival in Charlottesville. Continue reading