Too Chicken to Watch This Giallo?

Anna (Gina Lollobrigida, left) and her assistant Gabrielle (Ewa Aulin) pose for publicity photos regarding Anna’s successful poultry business in DEATH LAID AN EGG aka Plucked! (1968).

Maybe giallo is too specific a film genre for this movie because it is in a class of its own and works as a violent crime thriller but also as an erotic melodrama, black comedy and a satire on scientific experimentation and marketing. If you tried to describe the movie to friends they’d probably swear you dreamed it or are running a high fever but no, this bizarre, fascinating and once obscure giallo actually exists in various titled versions. The original Italian release title was La Morte Ha Fatto L’uovo (1968), but it has been distributed under such monikers as Plucked!, A Curious Way to Love and Death Laid an Egg, which is the more common title. So what’s with the chickens? The film is set, for the most part, in a poultry factory where a new breed of chicken is being produced in an experimental lab. The opening credits, featuring science classroom footage of egg fertilization, embryos and microscopic life forms prepare you for this strange new world.  

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Under Surveillance

Raphael (Jean-Louis Trintignant) is a secret operative who is monitoring the daily life of a suspected Nazi war criminal in UN HOMME A ABATTRE (A Man to Kill, 1967).

We will probably never know the exact number of Nazi war criminals who escaped from Germany in the aftermath of WW2 and made their way to South America but some of the more infamous ones are Adolf Eichmann, who was later captured in Buenos Aires, brought to trial in Israel and executed in 1962, and Josef Schwammberger, who was arrested in Argentina and returned to West Germany for a trial in 1992 (he was sentenced to life in prison and died there). At the same time, there have been reports that as many as 9,000 Nazi officers and collaborators found a safe haven in countries like Brazil and Paraguay under new identities and were never arrested for their war crimes. This unsettling realization inspires the narrative of Philippe Condroyer’s A Man to Kill (French title: Un Homme a abattre, 1967), a fictional espionage thriller that focuses on a suspected concentration camp officer who resurfaces in Barcelona years later as a low profile German architect.

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Jeanne Moreau is Mata Hari

Jeanne Moreau as the famous WWI era spy Mata Hari in Jean-Louis Richard’s 1964 film biography, MATA HARI, AGENT H21.

The road to international fame was a long and arduous journey for Jeanne Moreau but it all began in 1948 when she became a stage actress at age 18. She started appearing in films a year later though it wasn’t until 1958 that she emerged as an important French actress, thanks to two Louis Malle features, the noir thriller Elevator to the Gallows and the scandalous romantic drama, The Lovers. More famous career-defining roles followed such as Michelangelo Antonioni’s La Notte (1961), Francois Truffaut’s Jules and Jim (1962), Jacques Demy’s Bay of Angels (1963) and Luis Bunuel’s Diary of a Chambermaid (1964). Yet, in terms of global recognition, she probably reached her peak in the mid-sixties when she appeared in big-budget Hollywood productions like The Victors (1963), The Train (1964) and The Yellow Rolls-Royce (1964). It was during this period that she appeared in Mata Hari, Agent H21 aka Secret Agent FX18 (1964), one of her least known and rarely seen movies.

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The Lost Films of Audio-Brandon

The Sleeping Car MurdersBack in the days before the VHS home video market exploded and Blockbuster became the obiquitous rental store, the 16mm film library was still a viable business in the non-theatrical college and educational markets. The decline would begin in the early eighties and by the end of the decade most 16mm distributors would be out of business. But during the peak years, this film format was affordable and easily accessible to all types of organizations (churches, schools, businesses and prisons) and also individuals who ran private film societies.   Continue reading