Can you name five great paranormal comedy movies released in the past decade? I’m drawing a blank. By my estimation, two of the best comedies about the spirit world were released back in the eighties – Ghostbusters (1984) and Beetlejuice (1988) – and there has been nothing to really rival them since then. Of course, if we were to broaden the search to include best horror comedies of the past decade then I would have to pick the 2014 vampire satire What We Do in the Shadows, written and directed by Jemaine Clement and Taika Waititi, and their subsequent FX TV series based on the film. If you are fans of those, you will probably get a kick out of Extra Ordinary (2019), a paranormal comedy from Ireland that is almost as witty, twisted and silly as anything the Clement-Waititi team can conjure up. Continue reading
When you’re a film actor, it’s easy to understand how one can obsess over some less than perfect facial or physical feature that is going to be magnified by the camera on the big screen. But in most cases these fears are usually unfounded and not even something the average moviegoer would notice or care about. Claudette Colbert and Jean Arthur both insisted on being shot from the left side for profiles; Colbert called the right side of her face “the dark side of the moon.” Fred Astaire used movement and positioning to distract people from what he felt were his unusually large hands and Bing Crosby dealt with his increasing baldness by wearing hats at all times (he refused to wear toupees). Orson Welles’ insecurity over the size of his nose, however, is probably the most baffling of the actor hangups I’ve read about.
*This is a slightly revised version of my post that originally appeared on TCM’s Movie Morlocks blog Continue reading