Predator on the Prowl

Hammer Studios, home to vampires, werewolves, mummies, Quatermass Xperiments, pirates….and child molesters? In 1960, the British film production company (originally founded in 1934), ventured into decidedly new territory from their usual formulaic mix of horror films, suspense thrillers and costume adventures. Never Take Candy from a Stranger (known as Never Take Sweets from a Stranger in the the U.K.) was Hammer’s attempt at a serious adult drama that addressed a controversial topic most major studios wouldn’t touch at that time.      

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Labor Pains

When cinema buffs talk about their favorite movies from that brief period known as the “angry young man” phase of the British New Wave movement, one title is usually overlooked – The Angry Silence (1960) – and that might be due to the film’s more overt focus on labor unions, working conditions and corruption. Directed by Guy Green, The Angry Silence (1960) shares many similarities with others of its ilk with its harshly realistic depiction of a specific working class milieu, all of it captured in a gritty, documentary-like approach that was partially shot on location (Ipswich, Suffolk) using local nonprofessionals and real actors.  Continue reading

Degenerates at Large

Long before it ever became available for the home video market, The Girl in Black Stockings would occasionally pop up on late night television screenings in unexpected places like Turner Classic Movies. Such a lurid, sensationalistic crime drama was a natural fit for the drive-ins of its era but it actually makes sense that TCM would air this rarely seen obscurity because The Girl in Black Stockings is a classic sleazefest and definitely several notches above the standard exploitation drive-in fare that tantalized audiences in the late fifties before the advent of more explicit films like Blood Feast (1963). Continue reading