Female Wrestlers, Open Heart Surgery and a Homicidal Gorilla Man

In the grand tradition of Samson vs. the Vampire Women (1962), Blue Demon vs. the Infernal Brain (1967) or any of the countless Mexican horror adventures featuring the masked wrestler Santo, Night of the Bloody Apes (1972) takes a popular mini-genre in Mexican cinema and updates it for seventies audiences, liberally adding large helpings of violence, sex and female nudity. If nothing else the film shows just how far things have progressed since the more innocent black and white Santo features of the early sixties. Sure, the standard stock ingredients are still here – lots of wrestling interspersed with mad scientist/monster-on-the-rampage shtick but there’s also something new – gross-out gore effects rendered in garish color (the original film was released in Mexico in 1969 but the 1972 U.S. version included newly shot insert footage of sex, nudity and bloody violence).

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Predator on the Prowl

Hammer Studios, home to vampires, werewolves, mummies, Quatermass Xperiments, pirates….and child molesters? In 1960, the British film production company (originally founded in 1934), ventured into decidedly new territory from their usual formulaic mix of horror films, suspense thrillers and costume adventures. Never Take Candy from a Stranger (known as Never Take Sweets from a Stranger in the the U.K.) was Hammer’s attempt at a serious adult drama that addressed a controversial topic most major studios wouldn’t touch at that time.      

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Labor Pains

When cinema buffs talk about their favorite movies from that brief period known as the “angry young man” phase of the British New Wave movement, one title is usually overlooked – The Angry Silence (1960) – and that might be due to the film’s more overt focus on labor unions, working conditions and corruption. Directed by Guy Green, The Angry Silence (1960) shares many similarities with others of its ilk with its harshly realistic depiction of a specific working class milieu, all of it captured in a gritty, documentary-like approach that was partially shot on location (Ipswich, Suffolk) using local nonprofessionals and real actors.  Continue reading →

Degenerates at Large

Long before it ever became available for the home video market, The Girl in Black Stockings would occasionally pop up on late night television screenings in unexpected places like Turner Classic Movies. Such a lurid, sensationalistic crime drama was a natural fit for the drive-ins of its era but it actually makes sense that TCM would air this rarely seen obscurity because The Girl in Black Stockings is a classic sleazefest and definitely several notches above the standard exploitation drive-in fare that tantalized audiences in the late fifties before the advent of more explicit films like Blood Feast (1963). Continue reading →