The Man With the Codfish Eyes

British actor Donald Pleasence has played his fair share of nutters and villains through the years from infamous grave robber William Hare in The Flesh and the Fiends (1960) to Blofeld, James Bond’s nemesis, in You Only Live Twice (1967) to the dangerous religious fanatic in Will Penny (1968) to the insane scientist of The Mutations aka The Freakmaker (1974). At the same time, he has also specialized in playing cold, analytical authority figures who, while on the side of good, is often more unsettling than comforting as in his iconic role as Dr. Loomis in Halloween (1978) and four of its sequels. His portrayal of Dr. Hawley Harvey Crippen, the most notorious murderer of the Edwardian Age, in Dr. Crippen (1963), however, doesn’t really fit into either category and displays yet another side of the Pleasence persona – a quiet, unassertive enigma, a blank slate for us to fill in the details. The eyes, which reveal nothing, seem to look right through you. 

Donald Pleasence as arch villain Blofeld in the James Bond adventure YOU ONLY LIVE TWICE (1967).
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Othello, King of Bebop

Attempts to bring Shakespeare to the masses can be ill-advised and most film adaptations of the Bard’s work are either faithful copies of the stage plays such as Laurence Olivier’s Henry V (1944) and Richard III (1955) that preserve the language of the original or creative interpretations that either result in a broader appeal (Baz Luhrmann’s Romeo + Juliet, 1996) or earn the wrath of the Shakespeare purists without appealing to anyone else. All Night Long (1962), which updates Othello to London’s West End in the early sixties and transforms the Moor of Venice into a renowned jazz pianist known as Aurelius Rex (Paul Harris), falls into the latter category.      Continue reading

Labor Pains

When cinema buffs talk about their favorite movies from that brief period known as the “angry young man” phase of the British New Wave movement, one title is usually overlooked – The Angry Silence (1960) – and that might be due to the film’s more overt focus on labor unions, working conditions and corruption. Directed by Guy Green, The Angry Silence (1960) shares many similarities with others of its ilk with its harshly realistic depiction of a specific working class milieu, all of it captured in a gritty, documentary-like approach that was partially shot on location (Ipswich, Suffolk) using local nonprofessionals and real actors.  Continue reading

The Cinema Legend You Don’t Know

Robert Donat plays film pioneer William Friese-Greene in The Magic Box (1951), directed by John Boulting.

Robert Donat plays film pioneer William Friese-Greene in The Magic Box (1951), directed by John Boulting.

In the annals of forgotten inventors, unsung geniuses and visionaries who have fallen through the cracks of time, William Friese-Greene should be near the top of the list. Even though his gravestone bears the inscription, “The Inventor of Kinematography,” his reputation as an early film pioneer is still challenged by some movie scholars while others believe he was a victim of bad luck and deserved the credit and fame that others like Thomas Edison enjoy today. The Magic Box (1951), directed by John Boulting, favors the latter view and was one of the most prestigious productions of its year. It was produced exclusively for the Festival of Britain, a national exhibition that opened in London in May 1951 and marked the centenary of the 1851 Great Exhibition.   Continue reading