Home Alone

No one wants to think about growing old, becoming infirm and having to rely on others for assistance, particularly after a life of relative independence. While some are lucky enough to have family and friends to help out, many elderly people have no one for support and are left to fend for themselves among strangers. The situation becomes even more desperate without savings or financial assistance. Certainly this isn’t a topic that the commercial cinema has often explored for obvious reasons and great films on this subject are rare indeed but occasionally a masterpiece has emerged. Vittorio De Sica’s Umberto D. [1952], Akira Kurosawa’s Ikiru [1952], and Yasujiro Ozu’s Tokyo Story [1953] are prime examples while a handful of other films remain memorable for the performances alone – Victor Moore and Beulah Bondi in Make Way for Tomorrow [1937], Art Carney in Harry and Tonto [1974] and Edith Evans in The Whisperers [1967], Bryan Forbes’s often overlooked and forgotten adaptation of Robert Nicolson’s novel, Mrs. Ross.    Continue reading

Labor Pains

When cinema buffs talk about their favorite movies from that brief period known as the “angry young man” phase of the British New Wave movement, one title is usually overlooked – The Angry Silence (1960) – and that might be due to the film’s more overt focus on labor unions, working conditions and corruption. Directed by Guy Green, The Angry Silence (1960) shares many similarities with others of its ilk with its harshly realistic depiction of a specific working class milieu, all of it captured in a gritty, documentary-like approach that was partially shot on location (Ipswich, Suffolk) using local nonprofessionals and real actors.  Continue reading

Ken Loach’s Weapon for Change: Cathy Come Home (1966)

Reg (Ray Brooks), Cathy (Carol White) and their children find themselves in desperate circumstances in Cathy Come Home (1966), directed by Ken Loach.

It is often regarded as the most important British television drama ever written. The controversy it aroused after its premiere broadcast in 1966 on the Wednesday Play series not only challenged the general perception of TV as a shallow medium but also exposed an endemic social problem in England that the government often overlooked – homelessness. As timely today as it was then, Cathy Come Home is a rare example of a television drama whose impact on the media and the government was so pervasive that it resulted in the creation of “Shelter,” a housing for the homeless charity.  Continue reading