Working Without a Safety Net

Alexandra Stewart & Warren Beatty defy gravity in Arthur Penn’s existential noir, Mickey One (1965).

Every actor or director probably has at least one movie in their filmography unlike anything else they’ve ever done before or since and for Warren Beatty and Arthur Penn that film would be Mickey One (1965). Allegedly inspired by the French New Wave films of the early sixties, Penn’s film is an enigmatic and existential tale of a nightclub stand-up comic who goes on the lam from the mob because of a huge financial debt he can’t repay.  Continue reading

Robert Altman and the Cult of James Dean

A young Robert Altman ponders a camera set-up.

A young Robert Altman ponders a camera set-up.

While it is rarely shown in retrospectives of his work, Robert Altman’s The James Dean Story (1957) is easily one of the more offbeat and poetic examples of documentary filmmaking. Officially cited as his second feature (Altman’s first was The Delinquents, 1957), The James Dean Story was co-produced and co-directed with George W. George, a former writing partner of Altman’s, as a serious exploration of the young actor’s mystique and impact on the youth culture of the fifties.   Continue reading

Romain Gary’s Cinematic Overdose

kill-kill-kill-movie-poster-1972-1020367435How many times do you need to say Kill! In a movie title if you want to stress that it is about murder on an international scale? Apparently the distributors of this 1971 oddity were uncertain about that so they created various poster versions for the global market that ranged from four emphatic Kills! to a succinct single Kill! for promotional purposes. They covered all their bases but forgot to identify a target audience for this chaotic, frenzied and wildly improbable mash-up that freebases elements from conspiracy thrillers, secret agent exploits and sexual melodramas with a political agenda. Of course, you wouldn’t expect anything less from author-turned-filmmaker Romain Gray whose only other directorial effort was the pretentious art house mega-bomb Birds in Peru (1968), which starred his wife Jean Seberg as a suicidal nymphomaniac in the Caribbean.   Continue reading