Adrift in a L.A. Haze

Anouk Aimée in Jacques Demy's Model Shop (1969)

Anouk Aimée in Jacques Demy’s Model Shop (1969)

Los Angeles has served as the backdrop for countless Hollywood movies but in Jacques Demy’s Model Shop (1969), the French director’s first and only American film (if you don’t count the 1984 made-for-TV movie Louisiana), the city becomes the real protagonist. With its sprawling urban landscape, oil derricks, desolate beaches and constant traffic, it  provides a vivid canvas for a contemporary love story about romantic longing, missed connections and unrealized dreams. Film writer Clare Stewart referred to the film in the film journal Senses of Cinema as “a road movie that doesn’t go anywhere” but that’s not a putdown. It’s an apt description of what Demy was trying to create here – a drifting, dreamy mood piece.   Continue reading

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Romain Gary’s Cinematic Overdose

kill-kill-kill-movie-poster-1972-1020367435How many times do you need to say Kill! In a movie title if you want to stress that it is about murder on an international scale? Apparently the distributors of this 1971 oddity were uncertain about that so they created various poster versions for the global market that ranged from four emphatic Kills! to a succinct single Kill! for promotional purposes. They covered all their bases but forgot to identify a target audience for this chaotic, frenzied and wildly improbable mash-up that freebases elements from conspiracy thrillers, secret agent exploits and sexual melodramas with a political agenda. Of course, you wouldn’t expect anything less from author-turned-filmmaker Romain Gray whose only other directorial effort was the pretentious art house mega-bomb Birds in Peru (1968), which starred his wife Jean Seberg as a suicidal nymphomaniac in the Caribbean.   Continue reading