Peeping Tom, the 1960 psychological thriller about a homicidal cinematographer who uses his camera to capture the death throes of the models he murders, is regarded today as one of director Michael Powell’s masterpieces. At the time of its release, however, it was universally reviled by most critics and brought an abrupt halt to Powell’s career. Some even mistakenly believed it was his last film and even Powell wondered if he’d ever work again. But the celebrated director would go on to helm four more feature films, a made-for-TV production of Bela Bartok’s opera Herzog Blaubarts Burg (aka Bluebeard’s Castle, 1963) and the documentary Return to the Edge of the World (1978). Among his post-Peeping Tom work, Age of Consent (1969), his penultimate feature, is an underrated delight and features Helen Mirren in her first starring role.
Alexandra Stewart & Warren Beatty defy gravity in Arthur Penn’s existential noir, Mickey One (1965).
Every actor or director probably has at least one movie in their filmography unlike anything else they’ve ever done before or since and for Warren Beatty and Arthur Penn that film would be Mickey One (1965). Allegedly inspired by the French New Wave films of the early sixties, Penn’s film is an enigmatic and existential tale of a nightclub stand-up comic who goes on the lam from the mob because of a huge financial debt he can’t repay. Continue reading →