An immensely talented playwright, screenwriter, and satirist, George Axelrod has rarely received the recognition he deserves within the Hollywood industry yet he was the man behind some of the wittiest screenplays of the fifties and early sixties. Foremost among them are two of Marilyn Monroe’s best films (The Seven Year Itch (1955) and Bus Stop, 1956), Breakfast at Tiffany’s (1961) starring Audrey Hepburn in her signature role, and The Manchurian Candidate (1962), a highly paranoid thriller about a political conspiracy which prefigured President Kennedy’s assassination by a year. Less well known but equally audacious is his go-for-broke directorial debut, Lord Love a Duck (1966), a wicked lampoon of the movie business that nourished him and a satire of Southern California culture with its drive-in chapels, fast food restaurants, and self-improvement seminars.

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