Maybe giallo is too specific a film genre for this movie because it is in a class of its own and works as a violent crime thriller but also as an erotic melodrama, black comedy and a satire on scientific experimentation and marketing. If you tried to describe the movie to friends they’d probably swear you dreamed it or are running a high fever but no, this bizarre, fascinating and once obscure giallo actually exists in various titled versions. The original Italian release title was La Morte Ha Fatto L’uovo (1968), but it has been distributed under such monikers as Plucked!, A Curious Way to Love and Death Laid an Egg, which is the more common title. So what’s with the chickens? The film is set, for the most part, in a poultry factory where a new breed of chicken is being produced in an experimental lab. The opening credits, featuring science classroom footage of egg fertilization, embryos and microscopic life forms prepare you for this strange new world.Continue reading
How does one become famous without really having any particular talent or skill? In modern times, you can accomplish this by posting a video on Youtube, Twitter or numerous other social media outlets but it was a lot harder to attract attention in the 1950s. It Should Happen to You (1954), directed by George Cukor, addresses the common fantasy of become famous and idolized by millions at a time when the possibility of an unknown achieving overnight recognition was highly unlikely.Continue reading
An immensely talented playwright, screenwriter, and satirist, George Axelrod has rarely received the recognition he deserves within the Hollywood industry yet he was the man behind some of the wittiest screenplays of the fifties and early sixties. Foremost among them are two of Marilyn Monroe’s best films (The Seven Year Itch (1955) and Bus Stop, 1956), Breakfast at Tiffany’s (1961) starring Audrey Hepburn in her signature role, and The Manchurian Candidate (1962), a highly paranoid thriller about a political conspiracy which prefigured President Kennedy’s assassination by a year. Less well known but equally audacious is his go-for-broke directorial debut, Lord Love a Duck (1966), a wicked lampoon of the movie business that nourished him and a satire of Southern California culture with its drive-in chapels, fast food restaurants, and self-improvement seminars.