Paul Mazursky’s Sophomore Slump?

What do you do for an encore when your directorial film debut becomes a critical and commercial hit? That was the problem Paul Mazursky was facing in 1969 after Bob and Carol and Ted and Alice became the talk of the New York Film Festival where it was the opening night feature. His follow-up film, Alex in Wonderland (1970), expresses this dilemma but, if critics attacked the film for being an overt homage to Federico Fellini, Mazursky took the Italian maestro’s original concept and made it his own in an often absurdist portrait of Hollywood in the late sixties-early seventies and his own role in – and out – of it. Continue reading

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Marco Ferreri’s Hairy Angel

Annie Girardot in THE APE WOMAN (1964)

Annie Girardot in THE APE WOMAN (1964)

I can remember being fascinated with Marco Ferreri’s The Ape Woman (La donna scimmia) from the first time I saw a still from it in the May 1964 issue 28 of Famous Monsters of Filmland. A woman wearing eye makeup and sporting a beard and hairy legs poses provocatively for the camera while her mate, either a man in a tacky ape costume or a prop gorilla, rests his head in her lap. The photo description, “Beauty (?) and the Beast make a hairy horror pair in THE APE WOMAN,” was the only information offered about this upcoming release and, since it was being featured in FFofF, I assumed it qualified as fantasy cinema. Continue reading