Almost everyone has a good reason for why they want to get married but for Hugues, there is a very specific need. He wants to find a woman with a place of her own, preferably one with ample square footage that includes a sitting room and a large, walk-in closet. Love or companionship isn’t a main objective. Nor does he have any particular preferences concerning the woman’s appearance or personality as long as she is close to the same age. Strangely enough, Hugues finds the ideal candidate through the Duvernet Agency, a professional matchmaker. Jeanne is not only lovely and charming, if a bit elusive, and she has never been married before. Plus, she resides in a sprawling ground floor apartment once owned by an uncle. What could be better? So begins 1970’s L’Alliance (also known as The Wedding Ring), an exceedingly peculiar tale that slowly lures the viewer down a rabbit hole.
Although Luis Bunuel never made a straight up horror film in the traditional sense, many of his movies contained elements of the horrific and the fantastical such as the “mother meat” nightmare sequence in Los Olvidados (1950), the severed, crawling hand in The Exterminating Angel (1962) or the Devil in his many disguises in the 45 minute allegory, Simon of the Desert (1965). However, Juan Luis Bunuel, the director’s son, launched his feature film career with an audacious and unsettling journey into the paranormal – Au Rendez-Vous de la Mort Joyeuse (1973, aka Expulsion of the Devil) which must have made his father proud as it was brimming with the sort of anarchic disregard for the conventional and corruption of the innocent that distinguishes the master’s best films. It’s also creepy as hell. Continue reading