Not all Oscar nominations are for big budget, prestigious studio pictures like Ben-Hur (1959), The Best Years of Our Lives (1946) and Gone With the Wind (1939), and we’re here to offer further proof, as we did in Oscar Oddities, Part 1 (which covered 1999 -1960), that sometimes flukes and unexpected surprises can and do occur. If a poverty row studio like PRC (Producers Releasing Corporation) can break into the honored inner circle with Academy Award nominations for a tough little no-budget crime drama like Why Girls Leave Home (1945), anything can happen.Continue reading
Every year in the annual Oscar race there are always a few surprises, head scratchers or genuinely odd contenders that make you wonder how they were ever selected. Was it politics? Was it a fluke? Did good taste or bad taste actually triumph? Here is a list of my favorite oddities, some of which deserved their nomination though I never expected the Academy to acknowledge them because they were either low-budget indies, big budget genre pictures or under the radar movies that were barely noticed by moviegoers. I’m using the 1990s as my starting point and working backwards from there, cherry picking specific Oscar races, since most of the more interesting anomalies occurred prior to the 21st century.
Yes, there have been a few unexpected contenders since then such as 2000’s strange and mesmerizing Shadow of the Vampire (nominated for Best Supporting Actor – Willem Dafoe) and Hustle & Flow featuring the Oscar winning Best Original Song of 2005 – “It’s Hard Out Here For a Pimp.” In fact, the Best Original Song Oscar category is usually the place to look for oddball entries such as “Blame Canada” from South Park: Bigger, Longer & Uncut (1999) by the demented director-writer team of Trey Parker and Matt Stone or “How Do I Live,” written by Diane Warren and performed by Trisha Yearwood in Con Air (1997), an outrageous over-the-top action thriller from producer Jerry Bruckheimer. But, in general, the Academy Award nominations from 1999 on back to the beginning were quirkier and more fun.Continue reading
Often cited as one of the worst major studio movies ever made, The Oscar (1966) lives up to its infamous reputation but unlike many films which get tagged as “the world’s worst” and are usually tedious and only intermittently hilarious in small doses such as The Conqueror  or The Swarm , this one is consistently entertaining for its flamboyantly excessive performances, sordid situations and bitchy, mean-spirited dialogue that paints Hollywood as a place where you sell your soul and become an easily disposable product. Continue reading