Oscar Oddities, Part 2

Not all Oscar nominations are for big budget, prestigious studio pictures like Ben-Hur (1959), The Best Years of Our Lives (1946) and Gone With the Wind (1939), and we’re here to offer further proof, as we did in Oscar Oddities, Part 1 (which covered 1999 -1960), that sometimes flukes and unexpected surprises can and do occur. If a poverty row studio like PRC (Producers Releasing Corporation) can break into the honored inner circle with Academy Award nominations for a tough little no-budget crime drama like Why Girls Leave Home (1945), anything can happen. 

Continue reading

Stare If You Dare at The Hypnotic Eye!

Jacques Bergerac is Desmond the Great, a famous hypnotist who is linked to a series of female self-mutilations in The Hypnotic Eye (1960), directed by George Blair.

Everybody has probably been haunted or permanently tramatized by some movie they saw as a kid that burned images into their brain they couldn’t process or handle. For me it was a sick little B-movie that popped up on the late show called The Hypnotic Eye (1960), which I saw at the age of nine.       

Continue reading

When Ginger Met Ronald

Chemistry between actors is a curious thing. It can result in some kind of indecipherable but wondrous alchemy that crackles and pops or a concoction that simply refuses to strike fire like soggy matches.  It works best or most memorably when the least likely actors are paired together in a movie and click beyond all expectations – Fonda and Stanwyck in The Lady Eve, Bogart and Hepburn in The African Queen or Lancaster and Kerr in From Here to Eternity. When it doesn’t work, you end up with something inert and lifeless like Laurence Olivier and Marilyn Monroe in The Prince and the Showgirl or Sophia Loren and Anthony Perkins in Desire Under the Elms. There is also that gray area in between where it both sparks and fizzles out simultaneously, allowing you to see the potential in a promising pairing. Such is the case with Lucky Partners (1940), which stars Ginger Rogers and Ronald Colman in a whimsical romantic comedy based on the 1935 French comedy written directly for the screen by the prolific dramatist/actor/director Sacha Guitry. That’s part of the problem right there.    Continue reading