Oscar Oddities, Part 2

Not all Oscar nominations are for big budget, prestigious studio pictures like Ben-Hur (1959), The Best Years of Our Lives (1946) and Gone With the Wind (1939), and we’re here to offer further proof, as we did in Oscar Oddities, Part 1 (which covered 1999 -1960), that sometimes flukes and unexpected surprises can and do occur. If a poverty row studio like PRC (Producers Releasing Corporation) can break into the honored inner circle with Academy Award nominations for a tough little no-budget crime drama like Why Girls Leave Home (1945), anything can happen. 

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Beverly Michaels: Wicked Woman

Poster created for Noir City film festival, sponsored by The Film Noir Foundation

Copyright: Noir City Magazine

Voluptuous vixens, murderous golddiggers and greedy femme fatales were a familiar sight in B-movie melodramas of the fifties but Wicked Woman (1953) stands out from the rest of the pack. The look and feel of the movie captures the lurid quality of trashy pulp fiction covers from the same period like Tavern Girl, Passion Has Red Lips or Any Sex Will Do. Even the minimalistic, sparsely decorated sets, that represent a confined universe of dingy boarding house rooms and the neighborhood bar, exude a sleazy authenticity and sense of claustrophobia. And scheming her way through these lower depths is Beverly Michaels in the title role of Billie Nash. Blonde, statuesque and sullen, she is the quintessential hard luck tramp, moving from town to town in a futile search for a change in luck.    Tavern Girl Continue reading