Heart of Darkness

The Pre-Code era of Hollywood when films were much more explicit, suggestive and racy is generally believed to be that period between 1929 and 1934, the year the Production Code was officially enforced. After that the studios had to comply with a long list of restrictions imposed on motion pictures by Joseph Breen (director of the PCA aka Production Code Administration) in terms of subject matter, situations and characters if the producers wanted their films to get a commercial release. Of course, film censorship in Hollywood existed before 1934 but it was not always enforced. Complaints from moral guardian groups and religious organizations like the Catholic Legion of Decency were crucial in pressuring Hollywood to reduce the amount of sex, violence and decadence in movies. Some of their earliest targets were three films from MGM, which were a collaboration between director Tod Browning and Lon Chaney – The Unholy Trio (1925), The Unknown (1927) and West of Zanzibar (1928). All three of the films contain perverse and unsettling storylines but West of Zanzibar tops them all in terms of shock value even by today’s standards.  

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The Next Wonder of the World

Imagine a tunnel under the Atlantic that connected the United States with Europe and provided a high speed form of transportation between the two points. It’s certainly not an unrealistic expectation for the near future when you consider that the undersea rail known as the Channel Tunnel (aka the Chunnel) that currently connects Folkestone, Kent in England to Coquelles, France has been in operation since 1994. But that remarkable feat of engineering is only 50.5 km. compared to the 5,000 km. that would be the more likely distance of an undersea rail that connected New York City with London. Still, proposed plans for under-the-sea travel connectors between countries separated by water continue to surface in news reports and may happen in the near future. What’s most remarkable is the fact that Transatlantic Tunnel (aka The Tunnel), a 1935 British film, envisioned the same thing and some of that movie’s futuristic art direction and design is not that far removed from some of the models you can view on the interest today (just do a search for undersea rail systems).       Continue reading

Irene Dunne in a Sinclair Lewis World

Among the many film adaptations of Sinclair Lewis novels over the years, Ann Vickers (1933) is probably the least known of them all, and, it wasn’t among the most popular or critically acclaimed of Lewis’s novels either. Those would be Main Street (1920), Babbitt (1922), Arrowsmith (1925), Elmer Gantry (1927) and Dodsworth (1929). Yet, Ann Vickers is probably Lewis’s most fully developed female protagonist and the 1933 film version starring Irene Dunne and Walter Huston is a flawed but fascinating movie that provides an apt example of how the work of a great American writer can be completely altered, distorted or softened by Hollywood and the Production Code officials.   Continue reading

Divine Intervention

A political allegory that was one of the first films to openly address the problems resulting from the Great Depression, Gabriel Over the White House (1933), directed by Gregory La Cava, takes on such pressing issues as unemployment, homeless people and the rising crime rate in a storyline that comes across like a populist turned fascist fantasy. You also won’t see another Hollywood film from the 20th century in which our fearless leader is viewed by his constituents as either a madman or a messiah.  Continue reading