A Conversation with Cinematographer Vilmos Zsigmond

Hungarian cinematographer Vilmos Zsigmond

*This is an archival interview from 2004 that originally appeared on the Turner Classic Movies website.

One of the great cinematographers to emerge in the second half of the 20th century was Vilmos Zsigmond (1930-2026). His rise to prominence occurred around the same time as the Hollywood Renaissance of the 1970s when such directors as Martin Scorsese, Steven Spielberg, Dennis Hopper, Hal Ashby, Brian De Palma, Francis Ford Coppola and other young directors changed the way movies were made.

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Al Adamson’s Kiddie Flick

He was the man behind such softcore sleazefests as Girls for Rent (1974), The Naughty Stewardesses (1975) and Cinderella 2000 (1977). He was also the schlockmeister responsible for exploitation classics such as Satan’s Sadists (1969), Five Bloody Graves (1970) and the seriously deranged Dracula vs. Frankenstein (1971). He would be the last person you’d expect to make a child-friendly movie but that’s exactly what he attempted with Carnival Magic, which was completed in 1981 but not released until 1983. The film is almost tame enough for a six year old kid but also a terrifically weird and strange experience for older audiences who have seen any of Adamson’s previous work. He’s marching to the beat of a different drummer here and that drummer just happens to be a talking chimpaneze named Alexander the Great. Continue reading