What’s your favorite Sean Connery role before he became famous as James Bond. This question might stump the average movie-goer but film buffs would probably choose one of his menacing villain roles in either Hell Drivers (1957) or Tarzan’s Greatest Adventure (1959) or possibly his dashing romantic hero opposite Janet Munro in Walt Disney’s Darby O’Gill and the Little People (1959), where he actually gets to sing. The latter is easily my favorite with the Irish mythology of leprechauns, pookas and banshees giving it the edge but there is something quite appealing about Connery trying his hand at comedy in the lesser-known British B-movie Operation Snafu (1961), which was released in the U.K. as On the Fiddle (It was also known as Operation War Head).
Attempts to bring Shakespeare to the masses can be ill-advised and most film adaptations of the Bard’s work are either faithful copies of the stage plays such as Laurence Olivier’s Henry V (1944) and Richard III (1955) that preserve the language of the original or creative interpretations that either result in a broader appeal (Baz Luhrmann’s Romeo + Juliet, 1996) or earn the wrath of the Shakespeare purists without appealing to anyone else. All Night Long (1962), which updates Othello to London’s West End in the early sixties and transforms the Moor of Venice into a renowned jazz pianist known as Aurelius Rex (Paul Harris), falls into the latter category. Continue reading