Why does it often seem like the accumulation of great wealth and power by individuals does not necessarily come with an equal respect for ethics and morality? For Marion (Nadja Tiller), the heroine of Rolf Thiele’s Moral 63, the path to unbridled success is merely an escalating series of business transactions with rich and influential men who reward her for being beautiful, accommodating and discreet. Who cares about honor or virtue in a society where those attributes have no monetary value? Continue reading →