Diary of a Mad Prairie Housewife

Every once in a while a film comes along that doesn’t conform to the expectations of its designated genre. A case in point is Emma Tammi’s debut feature The Wind (2018) from a screenplay by Teresa Sutherland that is being positioned as a horror film by its distributor IFC Midnight at selected theaters across the U.S. and streaming services after a critically acclaimed run on the film festival circuit. Yes, The Wind has the necessary ingredients to attract horror film fans such as ghosts, demonology and unexplained phenomena. But the film could also be described as a psychological thriller from a feminist perspective or even a period western in which an inhospitable landscape becomes a central character. Continue reading