Diary of a Mad Prairie Housewife

Every once in a while a film comes along that doesn’t conform to the expectations of its designated genre. A case in point is Emma Tammi’s debut feature The Wind (2018) from a screenplay by Teresa Sutherland that is being positioned as a horror film by its distributor IFC Midnight at selected theaters across the U.S. and streaming services after a critically acclaimed run on the film festival circuit. Yes, The Wind has the necessary ingredients to attract horror film fans such as ghosts, demonology and unexplained phenomena. But the film could also be described as a psychological thriller from a feminist perspective or even a period western in which an inhospitable landscape becomes a central character. Continue reading

Satanic Sisterhood

(from left to right) Haydee Politoff, Ida Galli and Silvia Monti in Queens of Evil (aka La Regine, 1970)

(from left to right) Haydee Politoff, Ida Galli and Silvia Monti in Queens of Evil (aka La Regine, 1970)

Tales of the Devil seducing and destroying man have been a popular theme in cinema since the silent era but Queens of Evil (aka La Regine,1970) puts a new spin on the concept which departs from the more familiar treatments we’ve seen in Faust (1926), The Devil and Daniel Webster (1941) or Rosemary’s Baby (1968). It’s weird, dreamlike, sexy, ominous, often unpredictable and unintentionally funny at times (in the English dubbed version). Though often lumped in the Italian horror category, Queens of Evil, directed by Tonino Cervi, is closer to a gothic fairy tale for adults or a cautionary allegory for its era about young idealists who reject the status quo but are susceptible to corruption when their innermost desires are unleashed.    Continue reading