Stranger in a Stranger Land

Have you ever felt like you didn’t fit in or were completely out of sync with everyone in your immediate world? That is the existential dilemma that drives the narrative of Smog, a 1962 film from little known Italian director Franco Rossi that depicts a European traveler’s first impressions of Los Angeles.  The man in question is Vittorio Ciocchetti (Enrico Maria Salerno), a lawyer from Rome who arrives at LAX airport en route to Mexico on business, and the title of the film, of course, refers to the toxic mixture of fog and car exhaust that has characterized Los Angeles weather since the 1940s when cars began to clog the streets and freeways of the city.   Continue reading

Adrift in a L.A. Haze

Anouk Aimée in Jacques Demy's Model Shop (1969)

Anouk Aimée in Jacques Demy’s Model Shop (1969)

Los Angeles has served as the backdrop for countless Hollywood movies but in Jacques Demy’s Model Shop (1969), the French director’s first and only American film (if you don’t count the 1984 made-for-TV movie Louisiana), the city becomes the real protagonist. With its sprawling urban landscape, oil derricks, desolate beaches and constant traffic, it  provides a vivid canvas for a contemporary love story about romantic longing, missed connections and unrealized dreams. Film writer Clare Stewart referred to the film in the film journal Senses of Cinema as “a road movie that doesn’t go anywhere” but that’s not a putdown. It’s an apt description of what Demy was trying to create here – a drifting, dreamy mood piece.   Continue reading