High School Was Never Like This!

Among the many peculiar assemblages of cast and crew in Hollywood history, Pretty Maids All in a Row (1971) is in a class by itself. A black comedy set in a California high school where someone is murdering female students, the film marked the U.S. film debut of French director Roger Vadim (Barbarella, 1968) with Star Trek creator Gene Roddenberry producing and writing the screenplay. Mix in a number of seasoned Hollywood professionals (Rock Hudson, Angie Dickinson, Roddy McDowall, Keenan Wynn, William Campbell) with a hip, younger cast of aspiring actors and starlets. Top it off with a music score by Lalo Schifrin (Mission: Impossible, 1996) and a theme song co-written by Christian music mogul Mike Curb and sung by The Osmonds. And the result is a delicious guilty pleasure for some and a cringe-inducing embarrassment for others. There is no middle ground here unless you choose to view the film as a sociology experiment.   Continue reading

Two Cats and a Mouse

When a movie is released under various titles it usually means there are problems. It could be confusion over how to market it or a simple case of a movie that doesn’t fit clearly into any designated genre or maybe it’s a star-driven, major studio release that’s too quirky for the average moviegoer but yields enough curiosity value to inspire various promotional approaches to finding the right audience. All of these could apply to Joy House (1964), an international production based on a pulp fiction paperback by American author Day Keene and filmed on the Riviera near Nice. It stars English-speaking (Lola Albright, Jane Fonda, Sorrell Booke, George Gaynes of Tootsie fame) and French-speaking actors (Alain Delon, Andre Oumansky, Annette Poivre, Marc Mazza) and is also known as The Love Cage and Les Felins (the original French title). Joy House was not a popular success at the time (most critics were unkind in their coverage) but it is a favorite film of mine, flaws and all.   Continue reading