Two Cats and a Mouse

When a movie is released under various titles it usually means there are problems. It could be confusion over how to market it or a simple case of a movie that doesn’t fit clearly into any designated genre or maybe it’s a star-driven, major studio release that’s too quirky for the average moviegoer but yields enough curiosity value to inspire various promotional approaches to finding the right audience. All of these could apply to Joy House (1964), an international production based on a pulp fiction paperback by American author Day Keene and filmed on the Riviera near Nice. It stars English-speaking (Lola Albright, Jane Fonda, Sorrell Booke, George Gaynes of Tootsie fame) and French-speaking actors (Alain Delon, Andre Oumansky, Annette Poivre, Marc Mazza) and is also known as The Love Cage and Les Felins (the original French title). Joy House was not a popular success at the time (most critics were unkind in their coverage) but it is a favorite film of mine, flaws and all.   Continue reading

Mad Men Heyday

Matthew Weiner, the creator of AMC’s popular Mad Men franchise, has often pointed to specific films that influenced the look and feel of that popular TV series. Among them are obvious choices like Billy Wilder’s The Apartment (1960), Alfred Hitchcock’s North by Northwest (1959) and Fielder Cook’s Patterns (1956), based on Rod Serling’s teleplay, and less obvious influences such as David Lynch’s Blue Velvet and Claude Chabrol’s Les Bonnes Femmes (1960). One has to wonder though if Weiner ever saw the Jack Lemmon comedy Good Neighbor Sam (1964) because the art direction, production design and even the corporate politics on display seem to prefigure major aspects of Mad Men, albeit on a much lighter note. Continue reading