Jeanne Moreau is Mata Hari

Jeanne Moreau as the famous WWI era spy Mata Hari in Jean-Louis Richard’s 1964 film biography, MATA HARI, AGENT H21.

The road to international fame was a long and arduous journey for Jeanne Moreau but it all began in 1948 when she became a stage actress at age 18. She started appearing in films a year later though it wasn’t until 1958 that she emerged as an important French actress, thanks to two Louis Malle features, the noir thriller Elevator to the Gallows and the scandalous romantic drama, The Lovers. More famous career-defining roles followed such as Michelangelo Antonioni’s La Notte (1961), Francois Truffaut’s Jules and Jim (1962), Jacques Demy’s Bay of Angels (1963) and Luis Bunuel’s Diary of a Chambermaid (1964). Yet, in terms of global recognition, she probably reached her peak in the mid-sixties when she appeared in big-budget Hollywood productions like The Victors (1963), The Train (1964) and The Yellow Rolls-Royce (1964). It was during this period that she appeared in Mata Hari, Agent H21 aka Secret Agent FX18 (1964), one of her least known and rarely seen movies.

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Lucille Ball, Douglas Sirk and a Serial Killer

That unlikely combination in the header is just part of the quirky appeal of Lured, a 1947 mystery released by United Artists which is also equal parts comedy and romance. It was a remake of the French film Pieges [1939] by Robert Siodmak and starred Erich von Stroheim, Marie Déa and Maurice Chevalier. Most biographers of Lucille Ball and director Douglas Sirk have routinely dismissed it as an insignificant film in their careers but I think part of the problem was that critics and audiences expected a genuine thriller and got something else entirely. It is an eccentric original and highly recommended for anyone who wants to see Lucille Ball in one of her most underrated and accomplished performances; she plays dance hall hostess hired by the police as an undercover female detective and “bait” for a London serial killer.   Continue reading