How is it that one of the most distinctive and influential film composers of his generation is practically unknown today and almost all of his records out of print and unavailable in any reissue format? Of the many scores listed in his filmography only a few have been re-released on CD in recent years such as The Hustler, Downhill Racer and Baby Doll, which is already out-of-print, but what of the rest? 12 Angry Men, Wild River, Lilith, The Strange One, Mister Buddwing, This Property is Condemned, The Yellow Canary, The Fugitive Kind…and I haven’t even mentioned the space age bachelor pad music he created with the Creed Taylor Orchestra – Nightmare, Shock Music in Hi-Fi, Panic: The Son of Shock and more.
Continue readingSearching for Kenyon Hopkins
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