Fade to White

Charles Denner retreats from the world in Life Upside Down (1964), directed by Alain Jessua

Charles Denner retreats from the world in Life Upside Down (1964), directed by Alain Jessua

Films that explore mental illness, especially Hollywood productions such as The Snake Pit, The Three Faces of Eve and A Brilliant Mind, usually tend to be heavy on the histrionics providing highly dramatic showcases and Oscar award opportunities for actors. But a descent into madness isn’t always signaled by wildly disruptive or overwrought behavior from the afflicted. Sometimes the illness can creep up slowly by degrees and pass for something more fleeting and subtle that avoids detection during the early stages. Life Upside Down (La vie à l’envers), directed by Alain Jessua, is a remarkable example of this, presenting a man who goes quietly mad while interpreting his erratic behavior as a profound new self-awareness.     Continue reading

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Marco Ferreri’s Hairy Angel

Annie Girardot in THE APE WOMAN (1964)

Annie Girardot in THE APE WOMAN (1964)

I can remember being fascinated with Marco Ferreri’s The Ape Woman (La donna scimmia) from the first time I saw a still from it in the May 1964 issue 28 of Famous Monsters of Filmland. A woman wearing eye makeup and sporting a beard and hairy legs poses provocatively for the camera while her mate, either a man in a tacky ape costume or a prop gorilla, rests his head in her lap. The photo description, “Beauty (?) and the Beast make a hairy horror pair in THE APE WOMAN,” was the only information offered about this upcoming release and, since it was being featured in FFofF, I assumed it qualified as fantasy cinema. Continue reading