Digging Up the Past

It is always a welcome surprise to come across a film that somehow slipped under my radar but proves to be a completely absorbing and thought provoking experience. Rose Plays Julie (2019) from the filmmaking team of Joe Lawlor and Christine Molloy might be a small scale independent film from Ireland but it is much more immersive and emotionally complex than just about any contemporary movie I’ve seen from a major Hollywood studio. It draws you in almost immediately with its depiction of Rose (Ann Skelly), a young veterinarian student, who is conducting her own private investigation into her birth origins. Although she was adopted at an early age, Rose is now determined to track down her birth mother Ellen (Orla Brady), even though the latter wanted to remain anonymous after giving birth, severing all future contact with her daughter. What begins as a psychological drama about a young woman with identity issues slowly transitions into a mystery thriller before veering off into something much more shocking and unexpected.

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Remembering Hal Ashby

Mark Harris’s best-seller Pictures at a Revolution: Five Movies and the Birth of the New Hollywood pointed to 1967 as the year that the studio system crumbled and a new order emerged while Peter Biskind’s Easy Riders, Raging Bulls profiled the subsequent rise of the young turk directors in the seventies who changed cinematic conventions with their idiosyncratic films. Martin Scorsese, Steven Spielberg, Francis Ford Coppola, George Lucas, Peter Bogdanovich are usually singled out as the prime movers and shakers by film historians of that era while the once high profile Hal Ashby is often underrated and relegated to the sidelines. Hal, Amy Scott’s new documentary on the director, is a welcome homage that attempts to elevate and restore this influential figure to his rightful place in Hollywood history.  Continue reading