Tag Archives: The Magnificent Seven

Worst Family Vacation Ever?

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Everyone has their favorite family vacation horror story but this one takes the prize. In Jeopardy (1953), Barry Sullivan and Barbara Stanwyck play a married couple traveling with their small son (Lee Aaker) along the Mexican coast. After scouting for an ideal location for their fishing trip, they set up camp near a deserted village. The little boy wastes no time exploring his surroundings and promptly gets stranded on a derelict pier. When his father attempts a rescue, he falls beneath the rotting timbers and is pinned in the sand. High tide is just a few hours away and so is certain death unless Stanwyck can find a rescue party for her husband. She races off in the family car to seek help and is apprehended by Ralph Meeker, an escaped convict who commandeers her vehicle with no interest in saving Stanwyck’s husband.

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Voyage of Doom

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A former actor from Austria turned film director, Georg Tressler is not a name familiar to most American movie fans but for German filmgoers of the fifties he created a sensation with this 1956 feature film debut, Die Halbstarken (released in the U.S. as Teenage Wolfpack). As topical, incendiary and controversial in its day as The Wild One (1953), Rebel Without a Cause (1955) and Blackboard Jungle (1955), Die Halbstarken was a hard-hitting portrait of juvenile delinquency in post-war Germany and featured Horst Buchholz as a manipulative gang leader in a performance possibly inspired by James Dean. It was a huge hit and led Tressler to follow it up with two more youth-oriented films – Noch Minderjahrig (Under 18, 1957) and Endstation Liebe (Two Worlds, 1958). His fourth feature, Das Totenschiff (Ship of the Dead, 1959), was a complete departure from his trilogy in terms of content and was mostly ignored by critics and the public. But timing is everything and today Das Totenschiff looks like a lost classic from the pre-Berlin Wall era. And it may very well be Tressler’s finest achievement.    Continue reading →