Early Animation Shorts by Ray Harryhausen

Animator and special effects genius Ray Harryhausen is seen working on his 1951 fairy tale short, THE STORY OF HANSEL AND GRETEL.

Special effects wizardry has always been a key component in creating fantasy and futuristic worlds in the cinema and one of the greatest creators in the genre was Ray Harryhausen (1920-2013). Hardcore fans know that he worked uncredited on the 1949 fantasy adventure Mighty Joe Young before establishing himself as a stop motion animation artist in such sci-fi classics as The Beast from 20,000 Fathoms (1953), It Came from Beneath the Sea (1955), Earth vs. the Flying Saucers (1956) and 20 Million Miles to Earth (1957). Still, the best was yet to come in the second half of the 20th century when he created fantastical worlds of the imagination in The 7th Voyage of Sinbad (1958), Jason and the Argonauts (1963) and Clash of the Titans (1981) to name just a few. Before all of this, however, Harryhausen learned his craft and trade by experimenting with the short film format. 

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When Ginger Met Ronald

Chemistry between actors is a curious thing. It can result in some kind of indecipherable but wondrous alchemy that crackles and pops or a concoction that simply refuses to strike fire like soggy matches.  It works best or most memorably when the least likely actors are paired together in a movie and click beyond all expectations – Fonda and Stanwyck in The Lady Eve, Bogart and Hepburn in The African Queen or Lancaster and Kerr in From Here to Eternity. When it doesn’t work, you end up with something inert and lifeless like Laurence Olivier and Marilyn Monroe in The Prince and the Showgirl or Sophia Loren and Anthony Perkins in Desire Under the Elms. There is also that gray area in between where it both sparks and fizzles out simultaneously, allowing you to see the potential in a promising pairing. Such is the case with Lucky Partners (1940), which stars Ginger Rogers and Ronald Colman in a whimsical romantic comedy based on the 1935 French comedy written directly for the screen by the prolific dramatist/actor/director Sacha Guitry. That’s part of the problem right there.    Continue reading