For American moviegoers weaned on comic books and superheroes like Superman, Batman and The Hulk, the names El Santo and Blue Demon might not be as familiar. But in Mexico, they are major cultural icons. They were the main attractions in a popular film genre known as the lucho libre (wrestling hero movies) but had first established themselves as bona-fide professional wrestlers. In real life, Santo and Blue Demon were often rivals in the ring but they teamed up on the screen nine times and two of their most representative features together are Santo y Blue Demon vs. Dracula y el Hombre Lobo (Santo and Blue Demon vs. Dracula and the Wolf Man, 1973) and Santo y Blue Demon contra el Doctor Frankenstein (Santo and Blue Demon vs. Dr. Frankenstein, 1974), which are good entry points for beginners.
Tag Archives: The Golem
A Concert Pianist’s Worst Nightmare
What is the worst thing that could happen to a celebrated world class pianist? It would have to be something that destroyed his famous hands, wouldn’t it? The Hands of Orlac, based on a novel by Maurice Renard, has been adapted for the screen numerous times but the 1924 version by German director Robert Wiene remains a masterpiece of silent horror cinema.Continue reading
Be Careful What You Wish For
Horror films based on Jewish folklore and Talmudic literature are not that commonplace but one of the early classics of silent cinema was based on a 16th century tale of a rabbi, Judah Low ben Bezulel, who brought a hulking clay figure to life to protect the Jewish community from anti-Semitic forces. German director/actor Paul Wegener was so taken with the legend that he made three films based on it, a 1915 version, which only exists in fragments, a 1917 parody entitled The Golem and the Dancing Girl (now considered a lost film) and the 1920 version, which is the most famous. There were other remakes in later years, including Julien Duvivier’s 1936 sound version, but a new variation on the menacing title creature from the Israeli filmmaking team of Doron Paz and his brother Yoav, takes a decidedly different approach to the famous legend, courtesy of Ariel Cohen’s screenplay. Continue reading