Up, Up and Away!

Think about the sky and how it could serve as a canvas for an artist. This is something that becomes obvious if you have ever witnessed a hot air balloon festival where vibrant colors, designs and shapes become a moving art installation far above your head. It is not only visually dazzling but a pop culture phenomenon that has become increasingly popular in the U.S. since 1972 when the Albuquerque International Balloon Fiesta was officially established. Since then, many other annual events like this have become major attractions such as the Red Rock Balloon Rally in Gallup, New Mexico and the Great Reno Balloon Race in Nevada. None of these, however, are quite as fantastical or as wildly original as the secretive balloon events which are staged in Brazil, especially among the “baloeiros” (balloonists) who operate out of the favellas (working class neighborhoods) of Rio de Janeiro and Sao Paulo. Balomania, a 2024 feature length documentary from Danish artist Sissel Morell Dargis, explores this renegade culture in a highly personal manner.

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Roll with the Punches

The Japanese poster for THE BOXER (1977) aka Bokusa.

Movies about boxers often seem to break down into four categories; the most popular are the ones where the underdog fighter overcomes all odds to become a champion (Rocky [1976], Million Dollar Baby [2004], Cinderella Man [2005]). Then there are true-life biopics like Somebody Up There Likes Me (1956), Raging Bull (1980) and Ali (2001), downbeat character portraits of boxers past their prime (Requiem for a Heavyweight [1962], Fat City [1972]) and noir dramas that highlight the corrupt aspects of the profession like The Set-Up (1949) or The Harder They Fall (1956). Bokusa (English title: The Boxer (1977), a Japanese film directed by Shuji Terayama, has elements of some of the above but it is decidedly different from any American film in the boxing genre.

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When Seafood Fights Back!

The Calamari Wrestler (2004)Japanese pop culture can be so crazieeee, especially as filtered through their national cinema! You already know this if you’ve seen any films by Noboru Iguchi (A Larva to Love, 2003; RoboGeisha, 2009), Gen Sekiguchi (Survive Style 5+, 2004), Sion Sono (Exte: Hair Extensions, 2007; Why Don’t You Play in Hell?, 2013), and especially Minoru Kawasaki, who likes plopping animal-suited characters into his genre films in order to mix it up with the humans who, in most cases, might be initially surprised but usually become complacent about the absurdity of the situation.

A good example of this is Kawasaki’s The Calamari Wrestler (2004) which is the sort of movie which will immediate polarize potential viewers into two camps based solely on images or clips from the film, its plot description or even the title alone. It all depends on how you feel about a movie in which a former championship wrestler-turned-squid returns to the ring to reclaim his title, win back his girlfriend who is now the fiancee of the current champion, and battle corrupt promoters and new rivals such as Squilla, the boxing shrimp.   The Calamari Wrestler (2004) Continue reading