Beat Girls and Hep Cats

Among the numerous Hollywood films that attempted to explore the subculture of the emerging beatnik and bohemian scene of the late fifties, none is odder or more blatantly miscast than The Wild Party (1956) which casts Anthony Quinn as Tom Kupfen, a former star football player turned full time deadbeat, hanging out at basement jazz clubs and dive bars, looking for action. He’s joined by a motley crew of hipster accomplices that includes Kicks (Nehemiah Persoff), a jazz pianist of some talent, Honey (Kathryn Grant), a spaced-out former girlfriend, and Gage (Jay Robinson), a switchblade-toting psychopath.

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Queen of the Roller Derby

Raquel Welch. Not a name that conjures up Oscar-winning movies. Instead, a vision of a cavegirl in a bikini comes to mind. Or maybe a buff female fitness instructor with a video line for women with titles like Lose 10 Lbs. in 3 Weeks. Yet, there was a time when Raquel tried to break the Playboy playmate stereotype and prove herself as a dramatic actress. The year was 1972 and the film was Kansas City Bomber. An attempt to cash in on the then-popular roller derby craze, the film was also the actress’s first bona fide attempt to create a real flesh and blood character – a struggling, single mom of two trying to make ends meet by plying her skating talent in the sports arena.

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In Their Own Words: Actors on Film Flops and Disappointments

Nobody sets out to make a bad movie. Why would they? Not only is it a colossal waste of money but it will remain on the permanent record of everyone associated with it. Still, there are factors that no one can control and sometimes an actor makes a movie with the best intentions that the critics hate, audiences avoid like the plague or conflicts during production doom it to failure.  Here are 15 well documented examples including Marlon Brando (A Countess from Hong Kong), Shelley Winters (Knickerbocker Holiday), Richard Widmark (Slattery’s Hurricane), Beverly Garland (Swamp Women and Stark Fear), Bruce Dern (The Incredible 2-Headed Transplant), Ava Gardner (The Bible…In the Beginning), Christopher Plummer (The Royal Hunt of the Sun), Ida Lupino (The Hard Way), Tony Curtis (Son of Ali Baba), Sally Kellerman (Reform School Girl), Ernest Borgnine (The Devil’s Rain), Raquel Welch (Myra Breckinridge), Warren Oates (Chandler), Joan Shawlee (Prehistoric Women) and Vincent Price (Green Hell).

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Highlights from VFF 2018

The annual Virginia Film Festival (VFF) in Charlottesville recently celebrated its 31st year of operation on Nov.1-4 and offered attendees the opportunity to select from over 150 films, many of which arrived leaden with awards and critical acclaim from previous festivals like Cannes and Telluride. Programming content focused on specific themes and topics is also part of the VFF tradition and the 2018 event included a film series on Race in America, which included the premiere of Paul Robert’s Charlotteville about the tragic events of Aug. 11 & 12, 2017, and sidebars on Orson Welles, Virginia filmmakers, American folk culture and music and a vast array of international films.   Continue reading