Child’s Play

June 1940. A long line of French refugees flee Paris for the countryside during the German invasion of France in WW2. Among the evacuees are a young couple with their 5-year-old daughter Pauline and her pet dog Jock. When the couple’s car stalls on the road, angry refugees push it out of the way and down a hill. The family grab whatever they can carry from their stranded vehicle and return to the road as German aircraft start dropping bombs. In the confusion, Jock runs off and Pauline chases after him. Her parents follow in pursuit but the family is forced to take shelter again as aerial machine-gunners target the escaping Parisians. This time the parents and the dog are mortally wounded and Pauline is left abandoned. She wanders into the countryside clutching her dead pet, not really comprehending what has happened to her. All of this occurs in the few ten minutes of Jeux Interdits (English title: Forbidden Games), one of the most powerful war films of all time. Yet, it is unique within its specific genre because it does not focus on the war itself but the effects of the devastation on a young child. Directed by Rene Clement, the film became an international sensation and won a honorary Oscar as Best Foreign Film of 1952.

Paulette (five year old Brigitte Fossey) is left an orphan after her parents are killed in a German aerial raid in FORBIDDEN GAMES (1952).
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The Big Bang

Why would a scientist create a weapon of mass destruction that was capable of destroying the planet and ending life as we know it? J. Robert Oppenheimer, the theoretical physicist who led the Manhattan project and is known as the “father of the atomic bomb,” would later become guilt-ridden over his invention but his original intention was altogether different. He wanted to create a weapon so powerful and dangerous that it would intimidate all world leaders into putting an end to war but, of course, that idealistic concept ended in failure because human beings are flawed creatures. This same scenario is mirrored in the Czech sci-fi drama, Krakatit (1948), in which an engineer named Prokop (Karel Hoger) creates a powder that can become explosive and release atomic energy when activated by radio signals or other means. Like Oppenheimer, Prokop quickly comes to regret his discovery but a case of amnesia caused by an accidental explosion complicates the engineer’s desperate search for an associate, Jiri Tomes (Miroslav Homola), who stole the formula.

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Two Cats and a Mouse

When a movie is released under various titles it usually means there are problems. It could be confusion over how to market it or a simple case of a movie that doesn’t fit clearly into any designated genre or maybe it’s a star-driven, major studio release that’s too quirky for the average moviegoer but yields enough curiosity value to inspire various promotional approaches to finding the right audience. All of these could apply to Joy House (1964), an international production based on a pulp fiction paperback by American author Day Keene and filmed on the Riviera near Nice. It stars English-speaking (Lola Albright, Jane Fonda, Sorrell Booke, George Gaynes of Tootsie fame) and French-speaking actors (Alain Delon, Andre Oumansky, Annette Poivre, Marc Mazza) and is also known as The Love Cage and Les Felins (the original French title). Joy House was not a popular success at the time (most critics were unkind in their coverage) but it is a favorite film of mine, flaws and all.   Continue reading