A relic from an earlier era when gothic Victorian melodramas were all the rage, Uncle Silas (1947, released in the U.S. as The Inheritance) is an adaptation of Irish writer J. Sheridan Le Fanu’s novel which was actually an elaboration of his 1851 short story, “A Passage in the Secret History of an Irish Countess.” As you can surmise from the title, Le Fanu’s story was an earlier form of the Harlequin romance genre, steeped in an atmosphere of old dark houses, decadent aristocrats and mysterious locked rooms. Le Fanu is best known for his vampire novella, Camilla, which has enjoyed numerous film adaptations, but Uncle Silas (published in 1864) was a popular page-turner for its era.
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Vanishing Act
People who disappear without a trace always make the most compelling cold case mysteries, mainly because they baffle even the most intrepid investigators. The famous urban legend of “The Vanishing Lady” also known as “The Vanishing Hotel Room” may very well have been based on a real person but the true facts are lost to time. No matter. The strange tale, which first emerged in the early 1900s, has been appropriated by various writers and filmmakers in some form over the years such as the 1913 novel The End of Her Honeymoon by Marie Belloc-Lowndes (author of The Lodger), Sir Basil Thomson’s 1925 novel The Vanishing of Mrs. Fraser and the 1932 film The Midnight Warning. My favorite variation on this theme is the Victorian era mystery, So Long at the Fair (1950), produced by the British film studio, Gainsborough Pictures. The title comes from the English folk tune “Oh Dear! What Can the Matter Be?,” which contains the line, “Johnny’s so long at the fair.”
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