Senilità aka Careless (1962)

Anthony Franciosa plays a frustrated office worker pushing forty who develops an obsessive love for a young woman in SENILITA (1962), directed by Mauro Bolognini.

Italian novelist Italo Svevo was the pseudonym for Ettore Schmitz, a novelist and short story writer who was born in Trieste in 1861. After publishing two unsuccessful novels, he gave up writing until his English tutor James Joyce encouraged him to continue and he wrote a third novel in 1823, Confessions of Zeno (considered his masterpiece) and several short stories which were not published until after his early death from an automobile accident in 1928. Svevo never received the acclaim he deserved during his own lifetime but now he is considered one of Italy’s most famous authors and a pioneer of the psychoanalytical novel. His novels and some of his short stories were later adapted for film and television productions but the first one to hit the screen was Senelita (aka Careless, 1962), based on his second novel. The story of an insecure, self-absorbed office worker approaching forty who develops an obsessive love for a beautiful working class girl, the film was an impressive early masterwork for director Mauro Bolognini and helped launch Claudia Cardinale as an international star (The following year she appeared in Federico Fellini’s 8 ½, Luchino Visconti’s The Leopard and made her American film debut in The Pink Panther). 

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Othello, King of Bebop

Attempts to bring Shakespeare to the masses can be ill-advised and most film adaptations of the Bard’s work are either faithful copies of the stage plays such as Laurence Olivier’s Henry V (1944) and Richard III (1955) that preserve the language of the original or creative interpretations that either result in a broader appeal (Baz Luhrmann’s Romeo + Juliet, 1996) or earn the wrath of the Shakespeare purists without appealing to anyone else. All Night Long (1962), which updates Othello to London’s West End in the early sixties and transforms the Moor of Venice into a renowned jazz pianist known as Aurelius Rex (Paul Harris), falls into the latter category.      Continue reading

A Western Greek Tragedy

By the 1950s, the popularity of the Western genre was in decline and Hollywood studios tried to revitalize the once box office proof formula by trying everything from Technicolor and Cinemascope visual enhancements to hybrid novelties such as 1954’s Red Garters (a musical with stylized sets) and 1959’s Curse of the Undead (featuring a vampire gunslinger) to topical approaches that reflected a growing interest in psychology such as The Furies [1950] and High Noon [1952]. Into the latter category falls The Halliday Brand [1957], one of the more intense but least well known of the adult Westerns being produced in that era.  Continue reading