Life is a Carnival

The Japanese film poster for THE WIND-OF-YOUTH GROUP CROSSES THE MOUNTAIN PASS (1961).

Most Japanese film fans and cult movie buffs are certainly familiar with maverick director Seijun Suzuki for his ultra-stylish and unconventional yakuza thrillers Tokyo Drifter (1966) and Branded to Kill (1967). Not as well known are the numerous genre films he was assigned by his studio Nikkatsu in the late fifties/early sixties. One of his most atypical efforts is The Wind-of-Youth Group Crosses the Mountain Pass (Japanese title: Toge o wataru wakai kaze, 1961), which is like a more adult variation on James Otis Kaler’s Toby Tyler or Ten Weeks with a Circus except, in this case, the protagonist is not a kid but a college student majoring in economics. There is also no circus, just a traveling carnival troupe with an uncertain future. Yet, the tone is surprisingly upbeat and cheerful with moments of slapstick comedy, musical interludes, dramatic incidents and a subplot involving competitive yakuza gangs, who are closer to bumbling schoolyard bullies than menacing gangsters.

A massive lantern float lights up the nightime sky in THE WIND-OF-YOUTH GROUP CROSSES THE MOUNTAIN PASS (1961), a Japanese film about a traveling carnival troupe.
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…And You Thought Donald Pleasence Was Creepy?

Angela Pleasence stars in the 1974 psychodrama SYMPTOMS, directed by Jose Ramon Larraz.

Angela Pleasence, like her father, has a face made for the cinema though not in the realm of conventional leading ladies. Even as a young actress appearing in bit parts in movies like Here We Go Around the Mulberry Bush (1968) and The Love Ban (1973), she was never a winsome ingénue or the lovable girl next store. Her uniquely peculiar beauty – especially those hungry eyes that bore holes right through you – must have somehow hindered her movie career because her film roles have been few and far between. She is mostly remembered for her television work, particularly her role as Catherine Howard in the 1970 TV mini-series The Six Wives of Henry VIII, but she should have had the film career her father had on the basis of Symptoms (1974) alone.  

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