Vincent Price has always been associated with the horror genre even though he appeared in all kinds of other films during his career such as film noir (Laura), comedy (Champagne for Caesar), westerns (The Baron of Arizona), historical drama (The Private Lives of Elizabeth and Essex), science fiction (The Invisible Man Returns) and more. But his particular brand of villainy in horror films tend to be almost tongue-in-cheek with a macabre sense of humor and campy flourishes as in House on Haunted Hill (1959), The Tingler (1959), Diary of a Madman (1963) or Theater of Blood (1973), to name a few. His performance as infamous witch hunter Matthew Hopkins in The Conqueror Worm, however, was something else entirely – a genuinely chilling portrayal that was like nothing else he had ever done or would ever do again. Even today the intensity of his evil is the stuff of nightmares and he seems to be channeling the malevolent spirit of Hopkins in what is still a timely snapshot of political and religious persecution in the 17th century.
Angela Pleasence, like her father, has a face made for the cinema though not in the realm of conventional leading ladies. Even as a young actress appearing in bit parts in movies like Here We Go Around the Mulberry Bush (1968) and The Love Ban (1973), she was never a winsome ingénue or the lovable girl next store. Her uniquely peculiar beauty – especially those hungry eyes that bore holes right through you – must have somehow hindered her movie career because her film roles have been few and far between. She is mostly remembered for her television work, particularly her role as Catherine Howard in the 1970 TV mini-series The Six Wives of Henry VIII, but she should have had the film career her father had on the basis of Symptoms (1974) alone.Continue reading
Looking for a Halloween film to creep you out? How about The Blood on Satan’s Claw? Continue reading