The Sociopath’s Playbook

The Japanese film poster for THE BEAST SHALL DIE (1959), directed by Eizo Sugawa.

According to the Oxford Dictionary, a sociopath is a person who has a personality disorder which causes them to behave in an aggressive, violent or unpleasant way towards other people. The general opinion among psychiatrists is that sociopaths are not born that way, which is usually the case with psychopaths. Instead, sociopaths are shaped by their environment and experiences. A classic example of this is profiled in Eizo Sugawa’s Yaju Shisubeshi (English title: The Beast Shall Die). The protagonist of this 1959 psychological thriller is Date Kunihiko (Tatsuya Nakadai), a quiet, well-mannered graduate student who is exceptionally gifted as a writer and athlete. Behind his benign façade, however, is a cunning sociopath with a plan that slowly reveals itself as the film unfolds. As portrayed by Nakadai, Date is a truly chilling figure and one of his least known but most potent early performances. It deserves to be included with his more celebrated work in such Japanese masterpieces as Masaki Kobayashi’s The Human Condition (1959-1961), Kihachi Okamoto’s The Sword of Doom (1966) and numerous collaborations with Akira Kurosawa such as Sanjuro (1962), High and Low (1963) and Kagemusha (1980).

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Attack of the Molecular Men

The Japanese film poster for THE H-MAN (1958).

The atom bomb and its devastating after effects have served as the basis for some of the science fiction genre’s most popular and successful films and it’s no surprise that many of them hail from Japan where Gojira (1954, U.S. title: Godzilla) became the first in a long line of radioactive monsters bent on stomping Tokyo. Whether intended as metaphorical retribution for the A-bomb destruction of Hiroshima and Nagasaki in 1945 or cautionary tales about the dangers of nuclear power, these sci-fi fantasies became Toho’s studios’ most profitable exports during the late fifties and early sixties and eventually spawned subgenres of their own, one of which was the “mutant” series. The masterminds behind Gojira and most of the Toho sci-fi releases were director Ishiro Honda and special effects technician Eiji Tsuburaya and their first effort in the “mutant” series – Bijo to Ekitainingen (1958) – still stands as one of their most unusual and distinctive films.

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