Ants in Your Pants and Worse!

There have been killer ant movies before – Them! (1954), The Naked Jungle (1954), and Empire of the Ants (1977) come to mind – but Phase IV, released in 1974, may be the first and only killer ant art film. With its abstract, almost experimental approach to narrative and character development, it’s a much closer cousin to something like…say, Last Year at Marienbad (1961) than Them! While it was marketed as a science fiction film and clearly belongs in that genre, the film was both puzzling and disappointing to a certain sector of that audience that expected a killer ant movie to deliver thrills, chills and a satisfying ending.  Yet, once you accept the fact that Phase IV is not a conventional sci-fi film and will not conform to the genre conventions that you expect, you may find it absolutely chilling and brilliant. 

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Dirk Bogarde on LSD

When I think of LSD depictions in the movies, American International Pictures immediately comes to mind with actors like Peter Fonda (The Trip), Susan Strasberg (Psych-Out) and Mimsy Farmer (Riot on Sunset Strip) blowing their minds amid the counterculture of the sixties. Of course, other more unlikely actors have been dosed with the hallucinogen on screen such as Vincent Price (The Tingler), Lana Turner (The Big Cube) and Jackie Gleason (Skidoo) but probably the most unexpected one of all is Dirk Bogarde in Sebastian (1967), a fascinating curiosity released in the waning days of “Swinging London” cinema which has been unaccountably forgotten since its release.   Continue reading

Desert Rats

Nigel Davenport (left ) & Michael Caine in PLAY DIRTY (1969)

Nigel Davenport (left ) & Michael Caine in PLAY DIRTY (1969)

Underrated by critics and ignored by audiences upon its initial release in 1969, Play Dirty, directed by Andre de Toth, has slowly but surely acquired an appreciative fan base over the years thanks to high profile advocates of the film like Martin Scorsese who included it on a long list of guilty pleasures for the May-June 1998 issue of Film Comment. Unfortunately, this World War II drama starring Michael Caine had the misfortune to follow in the wake of Robert Aldrich’s box-office hit, The Dirty Dozen (1967), to which it was often unfairly compared. But, outside of a similar assemble-the-team concept which sends a group of criminals on a suicide mission, the film has very little in common with Aldrich’s blockbuster and there is absolutely no reason to feel any guilt over liking it either.  Continue reading