Free Spirits

Folco (Alain Emery) forms a bond with a wild stallion in the 1953 French adventure drama WHITE MANE.

When you consider movies made for children and/or family viewing, stories about horses constitute a large portion of the genre, especially in American cinema. My Friend Flicka (1943), Black Beauty (1947), The Story of Seabiscuit (1949), Snowfire (1957), The Sad Horse (1959) and The Black Stallion (1970) are just a few of the more famous titles and some of these have inspired remakes or sequels. Still, one of my favorite films in this category comes from France and is often overlooked today – Crin Blanc: Le Cheval Sauvage (English title: White Mane, 1953), written and directed by Albert Lamorisse (1922-1970).

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Rene Clair’s Prophetic Fantasy

Film scholars generally agree that the silent era offerings (Entr’acte, Le Voyage Imaginaire) and early sound films of Rene Clair (Under the Roofs of Paris, Le Million) are the French writer-director’s finest work and deserve their exalted position in the history of cinema. But one shouldn’t discount the movies Clair made during his brief tenure in Hollywood from 1941 to 1945 where his subtle wit, sophistication and visual style were second only to the work of Ernst Lubitsch. The Flame of New Orleans (1941) with Marlene Dietrich and I Married a Witch (1942) starring Fredric March and Veronica Lake are delightful romantic comedies while And Then There Were None (1945) is an inventive adaptation of Agatha Christie’s thriller, Ten Little Indians. Much more underrated and lesser known is Clair’s It Happened Tomorrow (1944), which returns to the fantasy realm of earlier work like The Ghost Goes West (1935) and I Married a WitchContinue reading