Howling on the Moors

Almost thirteen years after Basil Rathbone had filmed his final screen appearance as Sherlock Holmes, Hammer Studios decided to resurrect Sir Arthur Conan Doyle’s internationally famous detective in a Technicolor remake of The Hound of the Baskervilles (1959) which had been previously filmed with Rathbone in 1939. The eerie tale, which opens in a flashback sequence to an earlier time, depicts the origins of the Baskerville curse: the decadent Sir Hugo Baskerville brutally murders a servant girl who flees a group orgy at his mansion. Immediately following her death, however, Baskerville hears a strange braying on the moors before encountering an immense spectral hound which avenges the girl’s death. We then flash forward to the present, where Sherlock Holmes and his partner, Dr. Watson, are investigating the mysterious recent death of Sir Charles Baskerville.

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Predator on the Prowl

Hammer Studios, home to vampires, werewolves, mummies, Quatermass Xperiments, pirates….and child molesters? In 1960, the British film production company (originally founded in 1934), ventured into decidedly new territory from their usual formulaic mix of horror films, suspense thrillers and costume adventures. Never Take Candy from a Stranger (known as Never Take Sweets from a Stranger in the the U.K.) was Hammer’s attempt at a serious adult drama that addressed a controversial topic most major studios wouldn’t touch at that time.      

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The Radioactive Mud Monster

In many ways a precursor to The Blob (1958) and Caltiki, the Immortal Monster (1959), X the Unknown (1956) is a much more thought-provoking and serious attempt to demonstrate the consequences of science run amok than your standard monster-on-the-rampage chiller. The film, directed by Leslie Norman, was actually inspired by the success of The Quatermass Xperiment (1955, aka The Creeping Unknown), which was released the previous year and was a huge box office hit for Hammer Studios.    Continue reading