Heart of Darkness

The Pre-Code era of Hollywood when films were much more explicit, suggestive and racy is generally believed to be that period between 1929 and 1934, the year the Production Code was officially enforced. After that the studios had to comply with a long list of restrictions imposed on motion pictures by Joseph Breen (director of the PCA aka Production Code Administration) in terms of subject matter, situations and characters if the producers wanted their films to get a commercial release. Of course, film censorship in Hollywood existed before 1934 but it was not always enforced. Complaints from moral guardian groups and religious organizations like the Catholic Legion of Decency were crucial in pressuring Hollywood to reduce the amount of sex, violence and decadence in movies. Some of their earliest targets were three films from MGM, which were a collaboration between director Tod Browning and Lon Chaney – The Unholy Trio (1925), The Unknown (1927) and West of Zanzibar (1928). All three of the films contain perverse and unsettling storylines but West of Zanzibar tops them all in terms of shock value even by today’s standards.  

Continue reading

Downsizing

Somewhere between William Castle’s rebirth in the late fifties as the genius movie marketeer of such gimmicks as Emergo (House on Haunted Hill), Percepto (The Tingler), Illusion-o (13 Ghosts) or death by fright insurance policies (Macabre) and his prolific stint as a B-unit director at Columbia Pictures and later at Universal-International is the missing link that connects the two. Although it probably qualifies as Castle’s most exploitive film in the true sense of the word, It’s a Small World (1950) is also the director’s most forgotten film. Continue reading