The Haunted Cornea

The Japanese film poster for THE VISITOR IN THE EYE aka Hitomi no naka no Houmonsha (1977), directed by Nobuhiko Obayashi.

When Nobuhiko Obayashi’s Hausu (English title: House) opened in Japan in 1977, it proved to be a surprise hit with audiences but not Japanese film critics and it didn’t attract any attention in the U.S. until it was rediscovered in 2009 as possibly the weirdest WFT cult movie since El Topo (1970), Eraserhead (1977) or Repo Man (1984). Originally intended for teenagers, particularly girls, House pits a bunch of young female schoolgirls against a demonic entity and the result is a frenzy of nightmarish images including flying decapitated heads, a cannibalistic piano, a satanic cat, and laughing watermelons to name a few. Obayashi’s subsequent film, Hitomi no naka no houmonsha (English title: The Visitor in the Eye, 1977) isn’t nearly as wild and raucous but it shares the same demented fairy tale ambiance of House and was overshadowed by its predecessor. 

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Queen of Karate

The Japanese poster for the 1975 film 13 STEPS OF MAKI: THE YOUNG ARISTOCRATS.
The Japanese poster for the 1975 film 13 STEPS OF MAKI: THE YOUNG ARISTOCRATS starring Etsuko Shihomi.

Most of the famous icons of Japanese action cinema of the 1970s are usually male stars but there are a few exceptions. The best known is easily Meiko Kaji, who enjoyed a double career as a popular singer and film actress whose most famous movies inspired Quentin Tarantino’s Kill Bill Vol. 1 (2003) and Vol. 2 (2004). She built up a cult following with a quintet of girl gang features – the Stray Cat Rock franchise (1970-71) – and then moved on to greater success in the Female Prisoner Scorpion series (1972-73) and two genre classics, Lady Snowblood (1973) and Lady Snowblood 2: Love Song of Vengeance (1974).

The Japanese poster for the 1970 film STRAY CAT ROCK: DELINQUENT GIRL BOSS starring Meiko Kaji.

The only other Japanese actress from the same period to rival Kaji’s track record is probably Etsuko Shihomi, who first attracted attention in a supporting role in The Street Fighter (1974) opposite martial arts legend Shin’ichi Chiba aka Sonny Chiba. Shihomi followed this up with her breakthrough feature Sister Street Fighter (1974), which proved to be such a hit that she made four sequels to it while appearing in other action flicks with her mentor Chiba. But probably Shihomi’s wildest and least seen movie is Wakai Kizoku-tachi: 13-Kaidan no Maki (English title: 13 Steps of Maki: The Young Aristocrats, 1975), which should have spawned a series but also feels like a homage to Kaji’s Stray Cat Rock series.

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